Jo Caddy (1914 – 2005) was an Adelaide-based painter and ceramicist, who worked in the media of acrylic, oil, printmaking, drawing, and ceramics. She focused on portraiture in both her paintings and ceramics, including "people pots", vases featuring human faces.

Jo Caddy was born in Seattle and grew up in Canada. She always had a love of drawing and at age 14, exaggerated her age in order to enrol in Fine Art at the Vancouver School of Art where she won a scholarship and graduated in 1934.

After some years farming in Cornwall, England, she and her then husband and their children migrated to a small island farm off the coast of Tasmania in 1952. The family moved to Adelaide in 1957, where Jo took up lecturing in Fine Art at the South Australian School of Art. She also taught adult classes at the WEA, the University of Adelaide, TAFE and later Girton Girls’ School (now Pembroke School). She was a founding member of the Contemporary Arts Society of South Australia and a Fellow of the Royal Society of Arts of South Australia and undertook guest lectureships in Toronto and Glasgow.

In 1966, after Jo and her youngest daughter returned from a trip overseas, they moved into the gatekeeper’s cottage at Grove Hill, Norton Summit, which Jo loved. There was a semi-derelict cottage which she converted into a studio, put in a swimming pool and created a wonderful environment in which to create works of art. Although primarily interested in portrait painting, she did diversify as testified by studies of her travels in Europe, Asia, the Middle East and North America. She took sketch books wherever she went and upon her return would work on these drafts until she had enough work to mount an exhibition. In these years she painted many portraits from life.

It was at Grove Hill that she began to experiment with ceramics as she had the space to accommodate a wheel and kilns, plus retain her painting spaces. Utilitarian pottery held little interest for her and she instead embraced a more sculptural, decorative approach making head vase, people pots and tiles, including a life-sized mermaid embedded at the bottom of her swimming pool. It was here that Jo loved to entertain and the house was always full of eclectic, interesting people, former students, fellow artists, family and friends and she was always at her most creative and productive during these years, painting her finest portraits.

Jo passed away in 2005 after a career of nearly seven decades and leaving a significant, unique and lasting legacy in her works and influence on the Australian art scene. She was a role model and mentor to and outspoken supporter of women in a world that was typically dominated by men. This website has been developed to preserve her legacy and share her works with the world.